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Brattle News and Reviews

“The 85-minute film, which Muchnik describes as ‘an extension of my campaign to live a more localist, community-centered life,’ explores the daily doings of 20 subjects at businesses along Massachusetts Avenue. Stops include Andy’s Diner, McCarthy’s, Leavitt & Peirce tobacconists, The Plough and Stars bar and Mr. Bartley’s Burger Cottage. The films catches performances by Robyn Hitchcock, longtime Lizard Lounge performers-in-residence Club d’Elf, classes at The Dance Complex and the open-air City Hall dance party.” – Tom Meek, Cambridge Day

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“Some things are just so nice that you have to do them twice, and that’s the reasoning behind the new format for IFFBoston’s Fall Focus program. It used to be that all of the season’s biggest films would be shown over the course of a single weekend at the Brattle Theatre in Cambridge — if you had apple-picking plans or Oktoberfest business to do, tough luck — but now you’ll get two weekends of incredible cinema a few weeks or months before the rest of the country does.” – Nick Johnston, Vanyaland

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“Though the 98th Annual Academy Awards ceremony is, at press time, more than five months away, cinephiles are already gearing up for the so-called ‘Oscar season,’ the mad, year-end push in which movie studios trot out their best (or at least most prestigious) titles. It can get daunting fast for even the most voracious moviegoer – which is yet another reason we’re lucky to have the Independent Film Festival Boston.”

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“The Fall Focus selections span the globe and range from children’s animated adventures to Broadway biopics and drag queen zombie comedies. They’ve got domestic psychodramas, international political thrillers and Julia Roberts yelling at entitled college kids. This place has everything. I’ve only had the chance to see a handful of these films so far, but can already say that at least two of them are among the year’s finest.” (Sean Burns, WBUR Arts & Culture)

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On the occasion of his latest feature, WHERE TO LAND, coming to the Brattle Oct 17–22, we welcome indie cinema icon Hal Hartley to discuss his text-built and performer-driven films, the ways the industry has evolved over the decades of his career, as well as his fondness for Kojak and The Mary Tyler Moore Show.

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