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Brattle News and Reviews

“Though the 98th Annual Academy Awards ceremony is, at press time, more than five months away, cinephiles are already gearing up for the so-called ‘Oscar season,’ the mad, year-end push in which movie studios trot out their best (or at least most prestigious) titles. It can get daunting fast for even the most voracious moviegoer – which is yet another reason we’re lucky to have the Independent Film Festival Boston.”

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“The Fall Focus selections span the globe and range from children’s animated adventures to Broadway biopics and drag queen zombie comedies. They’ve got domestic psychodramas, international political thrillers and Julia Roberts yelling at entitled college kids. This place has everything. I’ve only had the chance to see a handful of these films so far, but can already say that at least two of them are among the year’s finest.” (Sean Burns, WBUR Arts & Culture)

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On the occasion of his latest feature, WHERE TO LAND, coming to the Brattle Oct 17–22, we welcome indie cinema icon Hal Hartley to discuss his text-built and performer-driven films, the ways the industry has evolved over the decades of his career, as well as his fondness for Kojak and The Mary Tyler Moore Show.

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“If the atomic-age monster movie was the premier horror mode of the 1950s and the teen-sex slasher flick dominated the Reagan years, found footage was the horror movement of the 2010s. This strain – defined by handheld cameras, improvised dialogue and barely seen ghosts and monsters – had its big bang in 1999’s ‘The Blair Witch Project,’ but didn’t really come into its own as a genre until the late 2000s, just as cellphones and social media were turning us all into compulsive self-recorders.” – Oscar Goff, Cambridge Day

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