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“I first heard of Nikolai Gogol’s novel ‘Dead Souls’ in a 1975 Playboy interview with Mel Brooks. My idol Mel said it was a masterpiece, so I read it and happily went on to Gogol’s absurdist short stories, including ‘The Nose’ and ‘The Overcoat’. The 19th-century Russian satirist is a favorite of Brooks’ (“Comedy and humanity, and he knew what he was talking about”), and an influence. Does this mean that ‘Blazing Saddles’ is a little bit of an antecedent for British director Alex Cox’s setting his loose adaptation of ‘Dead Souls’ in America’s Old West? As a comedy, Cox’s movie is more chuckle-funny than ‘Blazing Saddles’ lose-your-shit-funny. But like the Brooks movie, it lampoons greed on the old frontier and indicts the deadly callousness of white settler society toward people who don’t look or speak like them.” – Betsy Sherman, The Arts Fuse

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“The movies once viewed television as an existential threat, and it’s not hard to see why. Suddenly, here was this beguiling new box that provided entertainment in the comfort of the living room. In 1950, nine percent of American homes had a TV. By 1960, that figure had ballooned to 90 percent. The bigger, older sibling responded with 3-D, widescreen formats, and other technologies that offered up an implicit jibe: ‘Oh yeah? Bet you can’t do this.'” – Chris Vognar, The Boston Globe

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We are gutted to announce that, due to ongoing air conditioning issues and another hot forecast, we are…

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