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Brattle News and Reviews

On the occasion of his latest feature, WHERE TO LAND, coming to the Brattle Oct 17–22, we welcome indie cinema icon Hal Hartley to discuss his text-built and performer-driven films, the ways the industry has evolved over the decades of his career, as well as his fondness for Kojak and The Mary Tyler Moore Show.

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“If the atomic-age monster movie was the premier horror mode of the 1950s and the teen-sex slasher flick dominated the Reagan years, found footage was the horror movement of the 2010s. This strain – defined by handheld cameras, improvised dialogue and barely seen ghosts and monsters – had its big bang in 1999’s ‘The Blair Witch Project,’ but didn’t really come into its own as a genre until the late 2000s, just as cellphones and social media were turning us all into compulsive self-recorders.” – Oscar Goff, Cambridge Day

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“Few filmmakers are afforded the opportunity to cap their career with their most ambitious (and arguably greatest) work to date, and fewer still are able to recapture the magic of their most famous creation decades after the fact. Such is the case of David Lynch’s “Twin Peaks: The Return” (2017), which begins an appropriately massive nine-day series of “marathon” screenings Wednesday.” – Oscar Goff, Cambridge Day

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